I am interested in worlds where technology defines what can be seen and what remains hidden.

I like to think I witnessed the birth and expansion of personal computers, consoles, and videogames as they gradually became part of everyday life.

My work is informed by authorship in videogames and by the evolving language of virtual photography.
Every day, I encounter images created through photo modes, often detached from an intentional photographic process.
Authors such as Hideo Kojima, alongside statements of intent like “Virtual Photography: a Manifesto” (Cristiano Bonora 2019), and the growing recognition of virtual photography as a photographic practice, define the cultural space in which my works are positioned.